Volume 66 (2011), 7

The paper deals with the concept of text, showing its transformations in semiotic studies. First the text is excluded from semiotics in favor of the system and its paradigmatic perspective, as shown in the works of L. Hjemslev. Then the meaning of the text is reconsidered as in later works of Barthes and mainly in the text theory of J. Kristeva. Both of them mark… Read more

The aim of the paper is to interpret systematically M. M. Bakhtin’s views on genre. Although Aristotle was the first among philosophers – and one of the first among thinkers in general – who focused on the issues of artistic and rhetorical genres, philosophy ignored these issues for a considerably long time. One of the first philosophers who approached the issue… Read more

The paper offers an interpretation of a classical study of Coleridge’s poetry: The Road to Xanadu by John Livingstone Lowes published in 1927. While Lowes’ book is considered a monumental work summarizing the sources of Coleridge’s poetic image, the paper tries to show that in addition to that Lowes develops a remarkable theory of imagination close to certain… Read more

The paper examines the relationship between film and reality, which on the author’s view cannot be grasped without taking into account the viewer. For Béla Balázs the viewer is a part of the film world. Jean Epstein goes even further in his substituting an actor for a viewer. Balázs develops the concept of identification while Epstein’s idea is to subvert the… Read more

Through Deleuze’s conception of truth as becoming the paper discusses his relationship to Platonism. In his analysis Deleuze focuses on Plato’s Sophistes, in which Plato unwillingly subverts the very hierarchy of the world order, which he himself created. Deleuze sees the Platonic search for truth as taking place in the sphere of immanence. In the person of a… Read more

The paper offers a brief history of French theory of text (Julia Kristeva, Roland Barthes) from the conception of the text as a stabile repository of the materiality of the signifier to the notion of the text as a field of production (becoming, significance). This development necessarily transforms the definition of the theory as well as the basic idea of the… Read more