Publication Details

Abstract

The main idea of the paper is to see Machiavelli rather as a man striving for an active role in the political life than as a sort of Renaissance visionary. Therefore, the text of The Prince could be appropriately interpreted only if its immanent tragism is understood, namely the fact, that Machiavelli was forced to present the text intended as a ground for the political initiative in Italy under the mask of philosophical-political treatise. It was a „va banque“ play for him - an attempt at a comeback into the active political life and to carry out - even by hands of the others - what he thought was reasonable and necessary to do for his country.