Detail príspevku/publikácie

Abstrakt

The aim of the essay Sis an attempt at a critical analysis of application of the methods of Husserl’s phenomenology upon the theoretical interpretation of work of art. The starting point of the analysis is in Husserl’s project of absolute independence of cognition and an analysis of this conception of the relation between consciousness of Husserl’s becomes a source of inspiration for many aesthetic theories which concentrate under his influence, and aesthetic experiences. Closer attention in the essay is paid only to some authors — M. Geiger, V. Ziegenfuss, R. Ingarden.