Ročník 71 (2016), 1
State
Abstrakt
The aim of the present paper is to introduce Michel Foucault’s archaeology as a specific symptomatology. The thesis of symptomatology can be found in Nietzsche’s oeuvre where one can find a lot of papers analyzing the relation between Nietzsche’s genealogy and Foucault’s conception of genealogy. However, Nietzsche appears also in the Les Mots et les Choses. This… Čítať ďalej
Abstrakt
The paper deals with the characteristics, modalities and conceptual ground of Foucualt’s understanding of historical analysis. In the first part it focuses on the results yielded by the archeological study of discursive practices. The analysis of its problematic points is followed by the explanation of Foucault’s method called genealogy. Among the results this… Čítať ďalej
Abstrakt
The Faulcaultian project called The Order of Things is inseparable from its metaphoric character which has not been scrutinized as yet. The literary effects of the latter are neither accidental nor scanty; on the contrary, they are the very supporting structure of the whole archeological project. With Foucault sign, writing as well as literature are reduced to… Čítať ďalej
Abstrakt
The article tries to answer the question: Why the publication of The Order of Things aroused the polemics about M. Foucault’s being a structuralist? Unlike structuralism, Foucault’s archeology introduces semantic structures into history: he examines the dramatic rearrangement of words and things in history to unveil the historical background of the production of… Čítať ďalej
Abstrakt
The paper invites to rethink Michel Foucault’s last course at Collège de France significantly entitled Le courage de la verity, which can be read as a philosophical statement (re)defining and embodying at the same time the idea of philosophy and its “epistemological”, political and ethical perimeters by proposing a reflection on the risks and the duties involved… Čítať ďalej
Abstrakt
Foucault’s book The Order of Things brings the hypothesis of three different epistemes. The first one is defined by Renaissance resemblance, the second one by Classical identity and the third one by Modern causality. This paper aims to examine the photographic discourse through a new reading of Foucault’s monograph The Order of Things. There are two… Čítať ďalej