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The paper gives an analysis of two novels of Madame de Tencin, Mémoires du comte de Comminge and Les Malheurs de l’Amour, from an intertextual perspective bringing out the novelist’s literary inspirations. The novelist perceives herself as one of Madame de Lafayette’s “heirs”, therefore we point out to the apparent kinships of her novels with those of two contemporary man authors: Prévost and Marivaux. The paper’s focus is thus on the “woman vision” faced with “man inspiration”, notably in regard to the narration, circumstances, and characters.