Volume 64 (2009), 5

The paper focuses on the role of quantity in the studies of communication. The first step in the examination of the quantity of participants involved in the process of communication was the transition from the telegraphic model to the orchestra model. This step was done by the representatives of the New communication as well as in the course of the development of… Čítať ďalej

The study deals with two types of artistic communication. The description of the first type is based on Ferdinand de Saussure’s model of communication. This type presupposes identical codes of the sender and the addressee, what makes decreasing of the information noise in the communication possible. On one hand, the scale of the information noise is diminished,… Čítať ďalej

The paper deals with the problematic of concept and image as independent forms of mediating the thought. A specific role in incorporating the media of concept and image into the system of thought is played by the mediality itself, which operates as an entity mediating between heterogeneous worlds. The symbolized messages of the concept and image thus represent… Čítať ďalej

The study analyses a narrative monologue, an inner monologue, and a monologue which includes a dialogue between the author (implied author, narrator) and the reader/spectator, from the point of view of the recipient’s participation in the narrative. It employs Mukařovský’s analysis of to what extent a monologue is present in every dialogue as well as latent and… Čítať ďalej

The aim of the paper is to reconsider Barthes’s theory of textuality, as presented in his The Pleasure of the Text. Barthes’s approach is based on the rejection of the “referential” or “realistic” theories of literary text: the Barthesian pleasure is drawn from the texture of the text itself rather that from its alleged referential character. In this sense, the… Čítať ďalej

The article focuses on the crisis of representation in contemporary political philosophy and semiotics. Its basis is the current dispute between Jacques Rancière and Georges Didi-Huberman over the possibilities and conditions of the representation via the photographic image. Both strong and weak points of the dispute are shown and both solutions are compared with… Čítať ďalej